At fifty-two, psychiatrist Philip Adler is divorced, alone, and gutted of passion. When a funeral draws him back to his ex-wife’s homeland of France, the trip reunites him with a trauma he has struggled to forget: the brutal death of his teenage daughter fifteen years earlier. Prodded by his former brother-in-law and stirred by the unspent embers of his marriage, he embarks on a mission to resolve lingering questions about this past, hoping to heal himself along the way. The search leads to a disturbed man who may hold more answers than anyone expects—if only Philip can hear what he’s trying to say.
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A powerful debut about grief and salvation, told from the perspective of one little girl with a valiant imagination.
It is summer in the south of France, and Pea and her little sister Margot spend their days running free, inventing games in the meadow behind their house. But Pea has worries beyond her five and a half years. Her father has died in an accident, and her mother has just lost a baby. Maman is English, already isolated in this small, foreign village, and in her compounded grief, she has retreated even further. Pea and Margot stay out of her way and try to make things better, but they can’t make Maman happy again.
When Pea befriends Claude, a man who seems to love the meadow as she does, she wonders if he could be a new papa. But why do the other villagers view Claude with suspicion, and what secrets does his large empty house hold?
Beautifully written, haunting, and full of surprises, The Night Rainbow is a novel about innocence and experience, grief and compassion, and the blessings and perils of imagination.
In this tour de force of imagination, Ron Currie asks why literal veracity means more to us than deeper truths, creating yet again a genre-bending novel that will at once dazzle, move, and provoke. The protagonist of Ron Currie, Jr.’s new novel has a problem— or rather, several of them. He’s a writer whose latest book was destroyed in a fire. He’s mourning the death of his father, and has been in love with the same woman since grade school, a woman whose beauty and allure is matched only by her talent for eluding him. Worst of all, he’s not even his own man, but rather an amalgam of fact and fiction from Ron Currie’s own life. When Currie the character exiles himself to a small Caribbean island to write a new book about the woman he loves, he eventually decides to fake his death, which turns out to be the best career move he’s ever made. But fame and fortune come with a price, and Currie learns that in a time of twenty-four-hour news cycles, reality TV, and celebrity Twitter feeds, the one thing the world will not forgive is having been told a deeply satisfying lie.
What kind of distinction could, or should, be drawn between Currie the author and Currie the character? Or between the book you hold in your hands and the novel embedded in it? Whatever the answers, Currie, an inventive writer always eager to test the boundaries of storytelling in provocative ways, has essential things to impart along the way about heartbreak, reality, grief, deceit, human frailty, and blinding love.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
Does Ursula’s apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can — will she?
Darkly comic, startlingly poignant, and utterly original — this is Kate Atkinson at her absolute best.
From as early as he can remember, the hopelessly unreliable— yet hopelessly earnest—narrator of this ambitious debut novel has wanted to become a writer.
From the jazz clubs of Manhattan to the villages of Sri Lanka, Kristopher Jansma’s irresistible narrator will be inspired and haunted by the success of his greatest friend and rival in writing, the eccentric and brilliantly talented Julian McGann, and endlessly enamored with Julian’s enchanting friend, Evelyn, the green-eyed girl who got away. After the trio has a disastrous falling out, desperate to tell the truth in his writing and to figure out who he really is, Jansma’s narrator finds himself caught in a never-ending web of lies.
As much a story about a young man and his friends trying to make their way in the world as a profoundly affecting exploration of the nature of truth and storytelling, The Unchangeable Spots of Leopards will appeal to readers of Tom Rachman’s The Imperfectionists and Jennifer Egan’s Pulitzer Prize–winning A Visit from the Goon Squad with its elegantly constructed exploration of the stories we tell to find out who we really are.
In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine.
Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.
Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.
The night before Janie’s sister, Hannah, is born, her grandmother tells her a story: Since the Japanese occupation of Korea, their family has lost a daughter in every generation, and Janie is told to keep Hannah safe.
Years later, when Hannah inexplicably cuts all ties and disappears, Janie goes to find her. What she discovers will force her to confront her family’s painful silence, the truth behind her parents’ sudden move to America twenty years earlier, and her own conflicted feelings torward Hannah.
Weaving Korean folklore and history within a modern narrative of immigration and identity, Catherine Chung delivers a fierce exploration of the inevitability of loss and the conflict between loyalty and freedom.Forgotten Country marks the debut of a graceful, astonishing new voice in fiction, one with a quiet ferocity that will break your heart.
Professor David Ullman’s expertise in the literature of the demonic—notably Milton’s Paradise Lost—has won him wide acclaim. But David is not a believer.
One afternoon he receives a visitor at his campus office, a strikingly thin woman who offers him an invitation: travel to Venice, Italy, witness a “phenomenon,” and offer his professional opinion, in return for an extravagant sum of money. Needing a fresh start, David accepts and heads to Italy with his beloved twelve-year-old daughter Tess.
What happens in Venice will send David on an unimaginable journey from skeptic to true believer, as he opens himself up to the possibility that demons really do exist. In a terrifying quest guided by symbols and riddles from the pages of Paradise Lost, David attempts to rescue his daughter from the Unnamed—a demonic entity that has chosen him as its messenger.
Say you’re a time traveler and you’ve already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That’s why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks twelve-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be. Sure, the party is the same year after year, but at least it’s one party where he can really, well, be himself.
The year he turns 39, though, the party takes a stressful turn for the worse. Before he even makes it into the grand ballroom for a drink he encounters the body of his forty-year-old self, dead of a gunshot wound to the head. As the older versions of himself at the party point out, the onus is on him to figure out what went wrong-he has one year to stop himself from being murdered, or they’re all goners. As he follows clues that he may or may not have willingly left for himself, he discovers rampant paranoia and suspicion among his younger selves, and a frightening conspiracy among the Elders. Most complicated of all is a haunting woman possibly named Lily who turns up at the party this year, the first person besides himself he’s ever seen at the party. For the first time, he has something to lose. Here’s hoping he can save some version of his own life